What have we learned about this inevitable Hollywood process? Well, that authors should perhaps have limited involvement with the adaptation ( The Shining) that adaptations can make authors disown their own books (and that violence isn't easily translatable) ( A Clockwork Orange) that a movie can turn out better than its source material ( Jurassic Park), and that an adaptation can still be good despite bearing little resemblance to the source material ( World War Z).īut with The Fault in Our Stars, we have the opportunity to bring a new discussion to the table: rabid fandom, and how to appease it. So here we are again with another book-to-film adaptation, and another examination of the before-and-after.
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